Current interests and writing projects include: democratisation and digital technology, including the case of the Roland TB-303, SP-12 and Grime (with Paul Harkins) Bourdieu and "amateur" cultural production STS and vocaloid music and taste and distinction "after Bourdieu". ![]() ![]() I have spent time in Japan collecting materials related to the "world's first crowd-sourced celebrity", Hatsune Miku, and some of that work is finding its way into my writing at present. I have an interest in mediations of the voice and "electronic vocalities", as well as the changing sounds of popular music in the post-1980s period. Comprising seven chapters, the text explores how the advent of a range of digital technologies and processes including MIDI, smartphones, apps, Virtual Studio Technologies, Auto-Tune, video games, personal computers and streaming services, favours new types of engagements with popular music production and consumption. My monograph, Popular Music, Digital Technology and Societywas published in 2018 (Sage) and aims to move social science-based scholarship on pop music into contemporary territories shaped by globalised, digitalised, networked relations. Research Interests and Current Projects Books Semester Times: Thursdays 10-12 Qualifications
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